“The Colored Bard of North-Carolina,” Part 1
If Old South slavery was so awful, how did it produce poet George Moses Horton?—Through his life and verse, we seek out an answer.
George Moses Horton was born a slave in North Carolina. He never knew exactly how old he was, but records of his masters’ moves and sales indicate that he was probably born in 1798. He never knew his parents, either, but that was common—even typical—for slaves of his era. The 1790s inaugurated the Age of Cotton, and for generations eastern slaves like Horton were systematically separated from their families and sold west or further south, wherever the great cotton plantations demanded human sacrifices to the greater productivity. In some twisted sense, though, Horton was lucky. His master was a tobacco planter and Horton was never part of the multi-generational slave drain into cotton country. He remained an upcountry tobacco slave with a great aversion to the kind of labor society demanded of him. Horton was always drawn to books. As a youth, George stole away in the night to read scraps of children’s spelling books, stray bits of readers, the Bible, hymnals, and whatever else he could get ahold of. He taught himself to read and began writing poetry in his head (he only later learned to write). His brother learned to read along with him, but eventually lagged behind enough to leave George feeling mentally isolated. In 1845 Horton wrote a short autobiography attached to a collection of his poems. By then he was known as “The Colored Bard of North Carolina,” but in his youth Horton’s intellect and talent went neglected by everyone but himself. His master was a drunk, an inattentive parent, and a hard driver of his slaves with a singular eye toward expanding his business. At night, Horton would escape his forcibly mundane, uninspiring life to explore new worlds in letters. As he sat hunched over a smoky brush fire, each breath burned itself into his memory alongside the poems he read and wrote. Short on paper, he always had plenty of passion and memory on hand.
One day, in the course of his normal duties carrying goods for sale to university students in Chapel Hill, Horton’s knowledge and talent finally caught public notice. A group of prankster students who liked to hassle shopkeepers and slaves alike engaged George in conversation and were shocked by his eloquence and intelligence. They had him recite and compose verses on the spot, and Horton felt the pulse of exhilaration. The feeling quickly dissipated and being a public spectacle lost its appeal. Horton’s fame lasted, though, and “gentlemen” from throughout the state commissioned Horton to compose poetry for them. He was especially known for his acrostics and love poetry, which he wrote mentally as he worked (“at the plough,” he tells us). With each poem he earned between a quarter and seventy-five cents or the equivalent in new and fine clothing. His peculiar and well-honed skills gained the slave a national reputation and he became a sort of dual-proof for warring social systems. Northern abolitionists pointed to Horton as a shining example of what black people could make of themselves if only granted the freedom to do so. They could achieve anything white people could achieve, and we are all made worse off when their bodies and minds are constricted under slavery. For southerners, he was proof that slave society produced men of genius at an inordinate rate—even among the slaves! Not only was Horton dutifully producing tobacco for his master, but he was even capable of providing a luxury good like personalized poetry. Let those northerners who declaimed the supposed “inhumanity” and “depravity” of the slave system take note of people like Horton!—How could a slave’s life really be so bad if he could rise to the level of a man like Horton and still be a slave? Clearly, the Garrisons and the Leggetts simply didn’t understand slavery, the South, or anything about their way of life.
Through the poems of George Moses Horton, we will take up this task of sorting out how a system like southern slavery could produce a man like him. Does the “Colored Bard’s” existence excuse or indict the slave system, the Old South, or the historical perspectives which dominate our memories of it?
The Poetical Works of George M. Horton, The Colored Bard of North-Carolina, to Which is Prefixed The Life of the Author, Written By Himself
D. Heartt, Printer: Hillsborough, NC. 1845.
Life of George M. Horton, The Colored Bard of North-Carolina.
From the importunate request of a few individuals, I assume the difficult task of writing a concise history of my life. But to open a scene of all the past occurrences of my life I shall not undertake, since I should fail by more than two-thirds in the matter. But if you will condescend to read it, I will endeavor to give a slight specimen entirely clear of exaggeration. A tedious and prolix detail in the matter may not be of any expected, since there is necessarily so much particularly required in a biographical narrative.
I was born in Northampton county, N.C., near the line of Virginia, and within four miles of the Roanoke River; the property of William Horton, senior, who also owned my mother, and the whole stock of her children, which were five before me, all girls, but not of one father. I am the oldest child that my mother had by her second husband, and she had four younger than myself, one boy and three girls. But to account for my age is beyond the reach of my power. I was early fond of music, with an extraordinary appetite for singing lively times, for which I was a little remarkable. In the course of a few years after my birth, from the sterility of his land, my old master assumed the notion to move into Chatham, a more fertile and fresh part of country recently settled, and whose waters were far more healthy and agreeable. I here become a cow-boy, which I followed for perhaps ten years in succession, or more. In the course of this disagreeable occupation, I became fond of hearing people read; but being nothing but a poor cow-boy, I had but little or no thought of ever being able to read or spell one word or sentence in any book whatever. My mother discovered my anxiety for books, and strove to encourage my plan; but she, having left her husband behind, was so hard run to make a little shift for herself, that she could give me no assistance in that case. At length I took a resolution to learn the alphabet at all events; and lighting by chance at times with some opportunities of being in the presence of school children, I learnt the letters by heart; and fortunately afterwards got hold of some old parts of spelling books abounding with these elements, which I learnt with but little difficulty. And by this time, my brother was deeply excited by the assiduity which he discovered in me, to learn himself; and some of his partial friends strove to put him before me, and I in a slump now, and a sorry instrument to work with at that. But still my brother never could keep time with me. He was indeed an ostentatious youth, and of a far more attractive person than myself, more forward in manly show, and early became fond of popularity to an astonishing degree for one of his age and capacity. He strove hard on the wing of ambition to soar above me, and could write a respectable fist before I could form the first letter with a pen, or barely knew the use of a goose-quill. And I must say that he was quite a remarkable youth, as studious as a judge, but much too full of vain lounging among the fair sex.
But to return to the earlier spring of my progress. Though blundering, I became a far better reader than he; but we were indeed both remarkable for boys of color, and hard raising. On well nigh every Sabbath during the year, did I retire away in the summer season to some shady and lonely recess, when I could stammer over the dim and promiscuous syllables in my old black and tattered spelling book, sometimes a piece of one, and then of another; nor would I scarcely spare the time to return to my ordinary meals, being so truly engaged with my book. And by close application to my book at night, my visage became considerally [sic] emaciated by extreme perspiration, having no lucubratory apparatus, no candle, no lamp, nor even light-wood, being chiefly raised in oaky woods. Hence I had to sit sweating and smoking over my incompetent bark or brush light, almost exhausted by the heat of the fire, and almost suffocated with smoke; consequently from Monday morning I anticipated with joy the approach of the next Sabbath, that I might again retire to the pleasant umbrage of the woods, whither I was used to dwell or spend the most of the day with ceaseless investigation over my book. A number strove to dissuade me from my plan, and had the presumption to tell me that I was a vain fool to attempt learning to read with as little chance as I had. Play boys importunately insisted on my abandoning my foolish theory, and go with them on streams, desport, and sacrifice the day in athletic folly, or alibatic levity. Nevertheless did I persevere with an indefatigable resolution, at the risk of success. But ah! the oppositions with which I contended are too tedious to relate, but not too formidable to surmount; and I verily believe that those obstacles had an auspicious tendency to waft me, as on pacific gales, above the storms of envy and the calumniating scourge of emulation, from which literary imagination often sinks beneath its dignity, and instruction languishes at the shrine of vanity. I reached the threatening heights of literature, and braved in a manner the clouds of disgust which reared in thunders under my feet. This brings to mind the verse of an author on the adventurous seamen.
The wandering sailor ploughs the main
A competence in life to gain;
The threatening waves around him foam,
‘Till flattering fancy wafts him home.
For the overthrow and downfall of my scheme had been repeatedly threatened. But with defiance I accomplished the arduous task of spelling, (for thus it was with me,) having no facilitating assistance. From this I entered into reading lessons with triumph. I became very fond of reading parts of the New Testament, such as I could pick up as they lay about at random; but I soon became more fond of reading verses, Wesley’s old hymns, and other peices [sic] of poetry from various authors. I became found [sic] of it to that degree, that whenever I chanced to light on a piece of paper, so common to be lying about, I would pick it up in order to examine it whether it was written in that curious style or not. If it was not, unless some remarkable prose, I threw it aside; and if it was, I as carefully preserved it as I would a piece of money. At length I began to wonder whether it was possible that I ever could be so fortunate as to compose in that manner. I fell to work in my head, and composed several undigested pieces, which I retained in my mind, for I knew nothing about writing with a pen, also without the least grammatical knowledge, a few lines of which I yet retain. I will give you the following specimen. On one very calm Sabbath morning, a while before the time of preaching, I undertook to compose a divine hymn, being under some serious impression of mind:
Rise up, my soul, and let us go
Up to the gospel feast;
Gird on the garment white as snow, to join and be a guest.
Does thou not hear the trumpet call
For thee, my soul, for thee?
Not only thee, my soul, but all,
May rise and enter free.
The other part I cannot now recollect. But in the course of some eight or ten months, under similar pensive impressions, I composed the following:
Excited from reading the obedience of Nature to her Lord in the vessel on the sea.
Master, we perish if thou sleep,
We know not whence to fly;
The thunder seems to rock the deep,
Death frowns from all the sky.
He rose, he ran, and looking out,
He said, ye seas, be still;
What art thou, cruel storm, about?
All silenced at his will.
Dost thou not know that thou art mine,
And all thy liquid stores;
Who ordered first the sun to shine
And gild thy swelling shores.
My smile is but the death of harm,
Whilst riding on the wind,
My power restrains the thunder’s arm,
Which dies in chains confined.
After having read the travel of Israel from Egypt to the Red Red [sic] Sea, where they triumphantly arrive on the opposite bank, I was excited to compose the following few lines:
Sing, O ye ransom’d, shout and tell
What God has done for ye;
The horses and their riders fell
And perish’d in the sea.
Look back, the vain Egyptian dies
Whilst plunging from the shore;
He groans, he sinks, but not to rise,
King Pharaoh is no more.
Many other pieces did I compose, which have long since slipped my recollection, and some perhaps better than those before you. During this mental conflict no person was apprised of my views except my brother, who rather surmised it, being often in converse with me, and who was equally emulous for literature, and strove to rival me. Though he learnt to read very well for one of color, it seems that his genius did not direct him towards Parnassus, for he was rather a Josephus than a Homer; though he could write very well before I could form the first letter as above stated, for I devoted most of my opportunities to the study of composing or trying to compose. At any critical juncture, when any thing momentous transpired, such as death, misfortune, disappointment, and the like, it generally passed off from my mind like the chanting of birds after a storm, for my mind was then more deeply inspired than at other periods.
One thing is to be lamented much, that is, that ever I was raised in a family or neighborhood inclined to dissipation, or that the foul seed should have been sown in the bosom of youth, to stifle the growth of uncultivated genius, which like a torch lifted from a cell in the midst of rude inclement winds, which, instead of kindling its blaze, blows it out. My old master, being an eminent farmer, who had acquired a competent stock of living through his own prudence and industry, did not descend to the particularity of schooling his children at any high rate; hence it is clear that he cared less for the improvement of the mind of his servants. In fact, he was a man who aspired to a great deal of elaborate business, and carried me into measures almost beyond my physical ability. Often has he called me with my fellow laborers to his door to get the ordinary dram, of which he was much too fond himself; and we, willing to copy the example, partook freely in order to brave the storms of hardship, and thought it an honor to be intoxicated. And it was then the case with the most of people; for they were like savages, who think little or nothing of the result of lewd conduct. Nay, in those days, when the stream of intemperance was little regarded, the living had rather pour a libation on the bier of the dead than to hear a solemn funeral preached from the hallowed lips of a divine; for Bacchus was honored far more than Ceres, and they would rather impair the fences of fertile lands in their inebriating course, than to assist a prudent farmer in cultivating a field for the space of an hour.
Those days resembled the days of martyrdom, and all Christendom seemed to be relapsing into dissipation; and libertinism, obscenity and profanation were in their full career; and the common conversation was impregnated with droll blasphemy. In those days sensual gratification was prohibited by few; for drinking, I had almost said, was a catholic toleration, and from 1800 to 1810 there was scarcely a page of exemplary conduct laid before my eyes. Hence it was inevitably my misfortune to become a votary to that growing evil; and like a Saul, I was almost ready to hold the garments of an abominable rabble in their public sacrilege, to whom the tender of a book was offensive, especially to those who followed distilling on the Sabbath in the midst of a crowd of profligate sots, gambling around regardless of demon, or Deity! Such scenes I have witnessed with my own eyes, when not a Sunday school was planted in all the surrounding vicinities.
My old master having come to the conclusion to confer part of his servants on his children, lots were cast, and his son James fell heir to me. He was then living on Northampton, in the winter of 1814. In 1815 he moved into Chatham, when my opportunities became a little expanded. Having got in the way of carrying fruit to the college at Chapel Hill on the Sabbath, the collegians who, for their diversion, were fond of pranking with the country servants who resorted there for the same purpose that I did, began also to prank with me. But some how or other they discovered a spark of genius in me, either by discourse or other means, which excited their curiosity, and they often eagerly insisted on me to spout, as they called it. This inspired in me a kind of enthusiastic pride. I was indeed too full of vain egotism, which always discovers the gloom of ignorance, or dims the lustre of popular distinction. I would stand forth and address myself extempore before them, as an orator of inspired promptitude. But I soon found it an object of aversion, and considered myself nothing but a public ignoramous. Hence I abandoned my foolish harangues, and began to speak of poetry, which lifted them still higher on the wing of astonishment; all eyes were on me, and all ears were open. Many were at first incredulous; but the experiment of acrostics established it as an incontestable fact. Hence my fame soon circulated like a stream throughout the college. Many of these acrostics I composed at the handle of the plough, and retained them in my head, (being unable to write,) until an opportunity offered, when I dictated, whilst one of the gentlemen would serve as my emanuensis [sic]. I have composed love pieces in verse for courtiers from all parts of the state, and acrostics on the names of many of the tip top belles of Virginia, South Carolina and Georgia. But those criticizing gentlemen saw plainly what I lacked, and many of them very generously gave me such books as they considered useful in my case, which I received with much gratitude, and improved according to my limited opportunities. Among these gentlemen the following names occur to me: Mr. Robert Gilliam, Mr. Augustus Washington, Mr. Cornelius Roberson, Mr. Augustus Alston, Mr. Benjamin Long, Mr. William Harden, Mr. Merryfort, Mr. Augustus Moore, Mr. Thomas Pipkin, Mr. A. Rencher, Mr. Ellerbee, Mr. Gilmer, Mr. William Pickett, Mr. Leonidas Polk, Mr. Samuel Hinton, Mr. Pain, Mr. Steward, Mr. Gatlin, Mr. J. Hogan, Mr. John Pew, Messrs W. and J. Haywood, and several more whose names have slipped my memory; all of whom were equally liberal to me, and to them I ascribe my lean grammatical studies. Among the books given me were Murray’s English Grammar and its accordant branches; Johnson’s Dictionary in miniature, and also Walker’s and Sheridan’s, and parts of others. And other books of use they gave me, which I had no chance to peruse minutely. Milton’s Paradise Lost, Thompson’s Seasons, parts of Homer’s Illiad and Virgil’s Aenead, Beauties of Shakespear, Beauties of Byron, part of Plutarch, Morse’s Geography, the Columbian Orator, Snowden’s History of the Revolution, Young’s Night Thoughts, and some others, which my concentration of business did not suffer me to pursue with any scientific regularity.
Mr. Augustus Alston first laid (as he said) the low price of twenty-five cents on my compositions each, which was unanimously established, and has been kept up ever since; but some gentlemen extremely generous, have given me from fifty to seventy-five cents, besides many decent and respectable suits of clothes, professing that they would not suffer me to pass otherwise and write for them.
But there is one thing with which I am sorry to charge many of these gentlemen. Before the moral evil of excessive drinking had been impressed upon my mind, they flattered me into the belief that it would hang me on the wings of new inspiration, which would waft me into regions of poetical perfection. And I am not a little astonished that nature and reason had not taught me better before, after having walked so long on a line which plainly dictated and read to me, though young, the lesson of human destruction. This realizes the truth of the sentiment in the address of the Earl of Chatham, in which he spoke of “the wretch who, after having seen the difficulties of a thousand errors, continues still to blunder;” and I have no experienced the destructive consequences of walking in such a devious slide from the true centre to which I was so early attracted by the magnet of genius. But I have discovered the beneficial effects of temperance and regularity, and fly as a penitent suppliant to the cell of private reflection, sorrowing that I ever had driven my boat of life so near the wrecking shoals of death, or that I was allured by the music of sirens that sing to ensnare the lovers of vanity.
To the much distinguished Mrs. Hentz of Boston, I owe much for the correction of many poetical errors. Being a professional poetess herself, and a lover of genius, she discovered my little uncultivated talent, and was moved by pity to uncover to me the beauties of correctness, together with the true importance of the object to which I aspired. She was extremely pleased with the dirge which I wrote on the death of her much lamented primogenial infant, and for which she gave me much credit and a handsome reward. Not being able to write myself, I dictated while she wrote; and while thus engaged she strove in vain to avert the inevitable tear slow trickling down her ringlet-shaded cheek. She was indeed unequivocally anxious to announce the birth of my recent and astonishing fame, and sent its blast on the gale of passage back to the frozen plains of Massachusetts.
This celebrated lady, however, did not continue long at Chapel Hill, and I had to regret the loss of her aid, which I shall never forget in life. At her departure from Chapel Hill, she left behind her the laurel of Thalia blooming on my mind, and went with all the spotless gaiety of Euphrosyne with regard to the signal services which she had done me. In gratitude for all these favors, by which she attempted to supply and augment the stock of servile genius, I inscribe to her the following
Deep on thy pillar, thou immortal dame,
Trace the inscription of eternal fame;
For bards unborn must yet thy works adore,
And bid theee live when others are no more.
When other names are lost among the dead,
Some genius yet may live they fame to spread;
Memory’s fair bush shall not decline to bloom,
But flourish fresh upon thy sacred tomb.
When nature’s crown refuses to be gay,
And ceaseless streams have worn their rocks away;
When age’s vail shall beauty’s visage mask,
And bid oblivion blot the poet’s task,
Time’s final shock shall elevate they name,
And lift thee smiling to eternal fame.
I now commit my brief and blundering task to the inspection of the public, not pretending to warrant its philology nor its orthography, since grammarians, through criterions themselves, from precipitation do not always escape improprieties; and which little task, as before observed, I should not have assumed had it not been insisted on by some particular gentlemen, for I did not consider myself capable of such an undertaking. I trust, therefore, that my readers will rather pity than abuse the essay of their unqualified writer.
I will conclude with the following lines from the memorable pen of Mr. Linn, in which he has done honor to the cause of illiterate genius:
“Though in the dreary depth of gothic gloom,
Genius will burst the fetters of her tomb;
Yet education should direct her way,
And nerve with firmer grasp her powerful sway.”